Morphing Void I, II, V, VI
162 x 112cm, Gesso on Velvet, 2024
Sangsun BAE
(In consultation with MINATO, Taketoshi)
162 x 112cm, Gesso on Velvet, 2024
Sangsun BAE
(In consultation with MINATO, Taketoshi)
Morphing Void I
162 x 112cm, Gesso on Velvet, 2024 Sangsun BAE in consultation with MINATO, Taketoshi |
Morphing Void II
162 x 112cm, Gesso on Velvet, 2024 Sangsun BAE in consultation with MINATO, Taketoshi |
About the Artworks:
The Morphing Void series is part of an ongoing series that delves into the uncontrollable forces of proliferation and the flow of thought. Each piece in the series evolves through a process of layering paint on black velvet, allowing it to spread organically. The patterns are formed over multiple cycles of drying and reapplication, creating a sense of continuous transformation. The spreading paint embodies the unstoppable energy of life multiplying and thoughts expanding in unpredictable directions.
The velvet serves as a metaphorical void or abyss, while the layered stains symbolize cycles of growth and infinite reproduction emerging from emptiness. This series explores the tension between chaos and creation, reflecting the dynamic, uncontrollable flow of thoughts, emotions, and existence itself. Viewers are invited to immerse themselves in these ever-evolving forms and uncover the latent possibilities arising from the void.
The Morphing Void series is part of an ongoing series that delves into the uncontrollable forces of proliferation and the flow of thought. Each piece in the series evolves through a process of layering paint on black velvet, allowing it to spread organically. The patterns are formed over multiple cycles of drying and reapplication, creating a sense of continuous transformation. The spreading paint embodies the unstoppable energy of life multiplying and thoughts expanding in unpredictable directions.
The velvet serves as a metaphorical void or abyss, while the layered stains symbolize cycles of growth and infinite reproduction emerging from emptiness. This series explores the tension between chaos and creation, reflecting the dynamic, uncontrollable flow of thoughts, emotions, and existence itself. Viewers are invited to immerse themselves in these ever-evolving forms and uncover the latent possibilities arising from the void.
Morphing Void, V
32 x 41cm, Gesso on Velvet, 2024 Sangsun BAE in consultation with MINATO, Taketoshi |
Morphing Void, VI
32 x 41cm, Gesso on Velvet, 2024 Sangsun BAE in consultation with MINATO, Taketoshi |
BAE Sangsun
The practice of Korean artist Sangsun Bae explores the dynamics of human relationships and socio-historical narratives. She works across multiple mediums including drawing, painting and photography, as well as ceramics, glass, sculptural installation, video, and socially engaged projects. Her work questions our notions of the ‘bonds’ we have with people and places, the ‘fabric’ of society, and the ‘tapestry’ of history. She adapts these motifs to portray abstract relationships between individuals, communities, and countries. A graduate of Musashino Art School, Bae completed her PhD coursework without dissertation at Kyoto City University of the Arts, and was awarded an exchange scholarship to study at the Royal College of Art in London. Twice selected for the prestigious VOCA art prize, she exhibits internationally in New York, London, and throughout Asia.
The practice of Korean artist Sangsun Bae explores the dynamics of human relationships and socio-historical narratives. She works across multiple mediums including drawing, painting and photography, as well as ceramics, glass, sculptural installation, video, and socially engaged projects. Her work questions our notions of the ‘bonds’ we have with people and places, the ‘fabric’ of society, and the ‘tapestry’ of history. She adapts these motifs to portray abstract relationships between individuals, communities, and countries. A graduate of Musashino Art School, Bae completed her PhD coursework without dissertation at Kyoto City University of the Arts, and was awarded an exchange scholarship to study at the Royal College of Art in London. Twice selected for the prestigious VOCA art prize, she exhibits internationally in New York, London, and throughout Asia.
MINATO Taketoshi:
Japanese physicist Taketoshi Minato received his PhD degree in science from Tokyo Institute of Technology in 2005, and specialises in surface and interface science at the boundaries of physical chemistry and chemical physics. As a passionate advocate for the public understanding of science, he has lectured widely at educational institutions and public events. Minato is also a founding member and vice-chairman of Kyoto University’s Light Unit for Science and Art Liaison, and has collaborated with several artists and musicians on a wide range of art and science projects throughout Japan. Professor Minato is currently a senior researcher at the institute for molecular science, national institutes of natural sciences in Okazaki, Japan.
Japanese physicist Taketoshi Minato received his PhD degree in science from Tokyo Institute of Technology in 2005, and specialises in surface and interface science at the boundaries of physical chemistry and chemical physics. As a passionate advocate for the public understanding of science, he has lectured widely at educational institutions and public events. Minato is also a founding member and vice-chairman of Kyoto University’s Light Unit for Science and Art Liaison, and has collaborated with several artists and musicians on a wide range of art and science projects throughout Japan. Professor Minato is currently a senior researcher at the institute for molecular science, national institutes of natural sciences in Okazaki, Japan.
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